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Guitar Building – Part 2

Welcome to the second part of our Guitar building series.  This feature is inspired by the guitar currently being built in Brian Dubbleldam’s repair shop.  To find out more about guitar, or string instrument, repair, at the Ottawa Folklore Centre, contact Brian.

A good guitar starts with good tone wood.  While many species of wood can be used to build a guitar, a few select trees (or, tone woods) have become guitar making favourites. Cedar, Spruce, Mahogany, and Rosewood are all popular (or poplar? ha!) choices for building acoustic instruments.

Tone woods common for Guitar Building


Spruce and Cedar are preferred for the sound board (or top) while Mahogany and Rosewood are commonly used for the back and sides of the instrument. Stiffer woods make a crisper sound while softer woods tend make a warmer or more diffused tone.  Spruce tops are bright and punchy while cedar is a bit more intimate.  Similarly, for back and sides, Mahogany has a lot of kick while rosewood provides a much softer edge to the sound.

Another consideration pre-string is the body type of the guitar.  Different body shapes affect the voice and feel of the guitar.  Larger body shapes create a bigger sound (more room for resonance) but can be harder to hold.

Guitar Body Shapes

The actual construction of the guitar starts with the front of the instrument.  Commonly referred to as the “sound board” this piece has the most to do with the voice of the instrument.  Two pieces of wood are  matched and book ended ,and then cut into shape.

Guitar with Plans

The sound hole is our next cut.  We’ll use a Dremel to cut the sound hole and rout the rosette for inlay.

Routing the Sound Hole in a Hand Built Guitar


In the Next Episode:

We’ll talk about creating braces and then affixing them via a go-bar deck.

Featured E-Store Item

Featured E-Store Item: Cordoba F7 Paco Flamenco Guitar F7 Paco

The F7 Paco offers a unique departure from traditional flamenco guitar tonewoods. In honor of Paco De Lucia’s untimely passing in 2014, Cordoba’s F7 Paco is inspired by several well-known instruments that were mainstays in the legendary guitarist’s collection. With its solid Canadian cedar top and Indian rosewood back and sides, the F7 Paco has a fuller, darker, less biting tone than the standard F7.


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  • Ottawa Folklore Centre
    1111 Bank Street, Ottawa, Ontario K1S 3X4
    613.730-2887 | 1-800-385-FOLK (3655)

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